Filming Forster: The Challenges of Adapting E.M. Forsters Novels for the Screen

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  1. Filming Forster: The Challenges of Adapting E.M. Forster's Novels for the Screen
  2. "Filming Forster : The Challenges in Adapting E.M. Forster's Novels for" by Earl G. Ingersoll
  3. Main Photo
  4. A Passage to India

Even in buttoned-up Britain, it reduced theatregoers to sobs. One bold liberty Lopez takes is to make E. Forster himself a character. Matthew Lopez and his husband, Brandon Clarke, a private-school administrator, live in a spectacular penthouse residence atop a new luxury building in Fort Greene, Brooklyn. The apartment, which they have rented since , has lofty ceilings and a vertiginous terrace, towering above farm-to-table restaurants and picturesque brownstones. It is the kind of place a Hollywood location scout might select to signify the apogee of metropolitan sophistication.

For Lopez, the view is more personal. From his windows, he can see both the Fort Greene housing projects, where his father, who is Puerto Rican, lived as a child, and Greenpoint, where his mother, who is of Polish-Russian descent, grew up.

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Filming Forster: The Challenges of Adapting E.M. Forster's Novels for the Screen

Lithe and compact, he curled up in an armchair across from an open kitchen, which Clarke had decorated with a vase of quince branches. In the course of two days, Lopez spoke for hours at a stretch, with clarity and unguardedness; having spent years in psychoanalysis, he is practiced in poring over his experiences.

Lopez, the older of two brothers, felt like a misfit from his earliest years. The city was also racially bifurcated between black and white, which left no place for someone of Latino descent.

Film vs. Novel: What Makes Them Different?

Lopez was attracted to men, but tried to push this knowledge away. The dawning of his sexuality coincided with the AIDS epidemic.


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While still underage, he started frequenting the only local gay bar, hanging out with drag artists who performed there. Lopez attended college at the University of South Florida, in Tampa, where he majored in theatre. He now has a good relationship with his parents. Lopez has a heightened consciousness of belonging to a generation of gay men that has lived through a sea change: his cohort is old enough to remember the experience of being homosexual as a secret, and perhaps a shameful, identity, yet young enough to have escaped a lifetime in the closet.

Or, if they do, it seems as commonplace as making dinner plans. Not many. The play also offers validation of the different forms that love between men can take.


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Only a stunted soul would not rise, soar, and expand to it. Lopez says that, because of AIDS , embracing his sexuality entailed accepting an inheritance of grief. But this mourning felt abstract. Stephen is infected. He screams in pain at the slightest touch. Scott is in Paris, hoping to get HPA Brandon is dead. Matthew is dead. You only know the negative space. Like Helen, who acts on sentiment, Toby is impetuous and often inconsiderate. Burnap plays Toby with a manic, exhilarating energy: he dances, stripped to a Speedo, at a rave in the Pines; he caustically challenges Morgan for hiding his sexuality.

Forster, beloved by all the world.

"Filming Forster : The Challenges in Adapting E.M. Forster's Novels for" by Earl G. Ingersoll

And secretly the gayest daisy in the field. Toby, who initially appears to be a man of effortless confidence, has in fact strenuously constructed that identity. The actors were gathered at tables arranged in a horseshoe shape. The principal cast of the London production is being imported to Broadway virtually intact, and there was an atmosphere of fraternal reunion, as well as a sense of excitement that the play was finally coming to New York, where it belonged. It broke her heart when I went to Yale.

Forster's novels. Rather than follow the older comparative approach, which typically damned the film for not being "faithful" to the novel, this project explores the interactive relationship between film and novel. That relationship is implicit in the title "Filming" Forster, rather than "Forster Filmed," which would suggest a completed process. A film adaptation forever changes the novel from which it was adapted, just as a return to the novel changes the viewer's perceptions of the film.

Adapting Forster's novels for the screen was postponed until well after the author's death in because the trustees of the author's estate fulfilled his wish that his work not be filmed.

Main Photo

Following the appearance of David Lean's film A Passage to India in , four other film adaptations were released within seven years. Perhaps the most important was the Merchant Ivory production of Maurice, based upon Forster's "gay" novel, published a year after his death. That film was among the first to approach same-sex relationships between men in a serious, respectful, and generally optimistic manner. Seller Inventory ANB More information about this seller Contact this seller. Seller Inventory LHB Book Description Rowman and Littlefield Publishers.

Brand New. Seller Inventory Book Description Fairleigh Dickinson, New Book. Delivered from our UK warehouse in 4 to 14 business days. Established seller since Seller Inventory IQ Shipped from UK. Seller Inventory M Forster's Novels for the Screen. Summing Up: Recommended. Earl G. Convert currency. Add to Basket. Condition: New. Language: English. Brand new Book. Filming Forster focuses upon the challenges of producing film adaptations of five of E. Forster's novels. Rather than follow the older comparative approach, which typically damned the film for not being "faithful" to the novel, this project explores the interactive relationship between film and novel.

A Passage to India

That relationship is implicit in the title "Filming" Forster, rather than "Forster Filmed," which would suggest a completed process. A film adaptation forever changes the novel from which it was adapted, just as a return to the novel changes the viewer's perceptions of the film. Adapting Forster's novels for the screen was postponed until well after the author's death in because the trustees of the author's estate fulfilled his wish that his work not be filmed.

Following the appearance of David Lean's film A Passage to India in , four other film adaptations were released within seven years. Perhaps the most important was the Merchant Ivory production of Maurice, based upon Forster's "gay" novel, published a year after his death. That film was among the first to approach same-sex relationships between men in a serious, respectful, and generally optimistic manner.

Seller Inventory ANB More information about this seller Contact this seller. Seller Inventory LHB Book Description Rowman and Littlefield Publishers. Brand New. Seller Inventory